About the project

We are delighted to present 12 artists from all over Croatia and 8 students of Visual Communication Design of the Academy of Arts in Split – DVK who have interpreted Mediterranean-themed film classics this year.

Artists and films NMA 2024:

  • Lucija Bužaničić – Le Mepris (1963, Jean-Luc Godard)
  • Ivan Milas – La Dolce Vita (1960, Federico Fellini)
  • Goran Radošević – Zorba the Greek (1964, Nikos Kazantzakis)
  • Studio Šesnić & Turković – Casablanca (1942, Michael Curtiz)
  • Alen Ramić – Death in Venice (1971, Luchino Visconti)
  • Mate Žaja – To Catch a Thief (1955, Alfred Hitchcock)
  • Vanja Cuculić – Roman Holiday (1953, William Wyler)
  • Dragan Kordić – Cinema Paradiso (1988, Giuseppe Tornatore)
  • Luka Duplančić – La Piscine (1969, Jacques Deray)
  • Franka Tretinjak – Mediterraneo (1991, Gabriele Salvatores)
  • Segor Garber – Lepota poroka (The Beauty of Vice) (1986, Živko Nikolić)
  • Ivan Svaguša – Marriage Italian Style (1964, Vittorio De Sica)

DVK students:

  • Manuela Buzov – The Italian Job (1961, Peter Collinson)
  • Marija Ćubelić – Matador (1986, Pedro Almodóvar)
  • Lana Ravlić – Le Grand Bleu / The Big Blue (1988, Luc Besson)
  • Andrea Listeš – Ladri di biciclette (1948, Vittorio De Sica)
  • Tea Stipanović – Delicatessen (1991, Jean-Pierre Jeunet, Marc Caro)
  • Valentina Mindoljević – Jamón, Jamón (1992, Bigas Luna)
  • Maria Praničević – Lawrence of Arabia (1962, David Lean)
  • Max Rodenkirchen – Amarcord (1973, Federico Fellini)

All movie posters were viewed during the Mediterranean Film Festival. Posters were available for purchase at promotional prices. In addition to our comfortable chill-out zone where everyone could enjoy a glass of wine and popcorn while chatting it up with the authors, and festival guests, we have also prepared some interesting events. The design studio Šesnić & Turković from Zagreb took us through the process of designing a movie poster, and this year again we were hanging out with kids at MEDITERAONICA – film posters through children’s eyes.